Accel World Vs Sword Art Online Cast Away From Another World Outfit

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sunday/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've always taken an art history class or spent time in a fine arts museum, chances are y'all know a lot about the men who "divers" their mediums. Every bit with other subjects, most of what nosotros learn about art history today still centers on white men from Europe and, later, the United States. In reality, in that location are so many more artists of all genders to learn from and appreciate.

Here, nosotros're specifically taking a await at simply some of the women who have had lasting impacts on their art forms. From some of the art globe's most iconic pioneers to its about unsung heroes, these women artists all had a manus — and, in some cases, still have a hand — in irresolute the world of fine art and how we define information technology.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the piece of work of painters like Cézanne and Monet while abroad, she returned to the United states of america, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Film Stills (1977–lxxx). series. Photos Courtesy: Museum of Mod Fine art (MoMA)

Photographer Cindy Sherman was office of the Pictures Generation during the 1980s, and is maybe most well known for her series of Untitled Film Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of various generic female movie characters, amongst them, ingénue, working girl, vamp, and alone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A notwithstanding from the operation Cutting Piece, 1964, and a picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Art in New York Urban center in 2015. Photos Courtesy: Museum of Modern Fine art (MoMA)

You might first remember of Yoko Ono as a musician and activist, but she's also an accomplished performance and conceptual creative person. Ono was considered a pioneer in the performance fine art movement, earning the nickname the "Loftier Priestess of the Happening".

One of her most revered works, Cut Piece, was a performance she kickoff staged in Japan; Ono sat on stage in a overnice suit and placed pair of scissors in forepart of her, and, in an act of daring vulnerability, invited audience members to come on phase and cutting abroad pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't practise information technology, I start to choke."

Betye Saar

Betye Saar's Black Girl'southward Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Earlier condign a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her unabridged career trajectory — and, in turn, role of the trajectory of art history.

Saar was part of the Blackness Arts Move in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the play tricks is to seduce the viewer," Saar has said. "If you can get the viewer to wait at a work of art, and then y'all might be able to give them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology's rare to detect someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from Mexico, she is best known for exploring themes like expiry and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded equally one of the almost influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors showroom at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she'due south likewise known for her hyper-real sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which employ mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (Fifty) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'south National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more than common in portraiture writ large in the mid-19th century. Odds are that yous recognize Sherald's piece of work — and her signature grayscale skin tones — as she was the first Black woman to complete a presidential portrait for the Smithsonian'south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her serial, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the female parent of American modernism, you likely acquaintance Georgia O'Keeffe with her paintings of New Mexico'southward landscapes, flowers, skulls, and, only perhaps, the skyscrapers of New York City. In the 1920s, she was the first adult female painter to gain the respect of the New York art world, all by painting in her unique mode.

Adrian Piper

Adrian Piper wins the Gilded Lion for all-time artist in Okwui Enwezor's biennial exhibition All the Globe'south Futures, office of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York City. She used her piece of work to question society, identity, and racial politics by demanding the audience to face up truths near themselves. She oft challenged people on the streets of New York to estimate her race, socio-economic course, and gender — all while dressed as a Black man with a false mustache and sunglasses, or while wearing compelling statements on her wearing apparel.

Shirin Neshat

Shirin Neshat'southward poses in front end of a photograph in her exhibition Our Firm Is on Burn at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to study art in Los Angeles, California — earlier the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such as trauma, knowledge, and hope. One of her more notable works, I Scent You On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Ethnic woman to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is improve known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Niggling Sense of taste Exterior of Honey, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular culture and pop art, Mickalene Thomas oft embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago's seminal piece of work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Savage

Augusta Savage with i of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Fell was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating breathtaking sculptures, ofttimes of Black folks, Savage founded the Vicious Studio of Craft in Harlem in 1932, and, a few years afterward, she became the first Blackness American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Mod Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (But wait upward her most famous work, Interior Scroll, and you'll come across what we mean.) She used her torso to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin'southward Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York City'southward queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you lot? Well, that's the idea! Elaine Sturtevant, who went by her final name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Immature Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based creative person, Asawa'due south terminal public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World State of war II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York Urban center. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the age of 9. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — only in a way that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Bear on Honour at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes didactics is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate alter.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Fine art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstruse Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Administration (WPA).

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